Ordinary People (1980)

Ordinary People (1980)

[10]

Robert Redford directs this adaptation of Judith Guest’s novel, about a family reeling from the accidental death of the eldest child. Unlike so many dramas, it’s what you don’t see and what isn’t said that makes Ordinary People such a gut-wrenching, powerfully moving film.

Timothy Hutton, Donald Sutherland, and Mary Tyler Moore give superb performances as family members struggling to reconnect with one another after the tragedy. Hutton won the Best Supporting Actor Oscar for his raw, riveting portrayal of young Conrad Jarrett.  Moore plays his mother, an emotionally unavailable woman barricading herself from further distress by ignoring her family’s problems, even after Conrad tries to take his own life. Sutherland plays the father, the mediator between mother and son, desperately trying to hold his family together. Judd Hirsch appears as Conrad’s therapist, a savior shrink who forces Conrad to confront his guilt and fear. 

Badlands (1973)

Badlands (1973)

[8]

What an odd, beguiling vigilante road-trip romance this is. Martin Sheen and Sissy Spacek star as two oddly unaffected youths who casually pair up and embark on what turns out to be a killing spree through South Dakota. This was director Terrence Malick’s (Days of Heaven, The Thin Red Line) first feature film, and much of his trademark style is here — the beautiful scenery, cutaways to flora, fauna, and natural phenomena (including the most beautiful house burning put to film), as well as voice-over narration that begs a more poetic interpretation of the material.

American Graffiti (1973)

American Graffiti (1973)

[9] A close-knit group of teenagers relish their last night of summer vacation before their paths diverge, changing their lives forever, in George Lucas's American Graffiti. Most of the cast succeed in creating wholly believable characters with compelling dilemmas, and…
The Last Picture Show (1971)

The Last Picture Show (1971)

[10] Peter Bogdanovich adapts Larry McMurtry's nostalgic coming-of-age tale, creating a film so believably rooted in a lonely time and place (the early '50s Texas dust bowl), that you have a hard time shaking it when it's over. The film…
Harold and Maude (1971)

Harold and Maude (1971)

[9] Bud Cort and Ruth Gordon play one of cinema's most unusual but endearing couples in Harold and Maude, a delightfully twisted romantic comedy from Hal Ashby. Harold is a rich, sheltered boy obsessed with death, and Maude is a…
Deep End (1970)

Deep End (1970)

[8] A fifteen-year-old boy (John Moulder-Brown) begins working at a British bathhouse where a young woman (Jane Asher) goads his sexual awakening. The boy begins obsessing over the woman and her fiancee. He stalks them at night and tries to…
To Kill a Mockingbird (1962)

To Kill a Mockingbird (1962)

[10]

Harper Lee’s Pulitzer Prize-winning novel is lovingly adapted to film by director Robert Mulligan, screenwriter Horton Foote, and producer Alan J. Pakula. Gregory Peck earned the Best Actor Oscar for his portrayal of Atticus Finch, a lawyer of uncompromising morals who puts the safety of his family on the line to defend Tom Robinson (Brock Peters), a black man accused of raping a white woman. Finch is also a widower, raising his two young children with the help of his maid Calpurnia (Estelle Evans). The narrative is made a coming-of-age story through the eyes of Finch’s youngest, the feisty Jean Louise — or Scout (Mary Badham) as she’s nicknamed. Scout’s perspective on racism is balanced with her own fear and ignorance surrounding a neighbor named Boo Radley (Robert Duvall), who turns out to be her salvation when she and her brother are attacked by a bigot seeking revenge on their father.