This is the first of at least three film versions of Robert L. Sherwood’s play about an American soldier who falls in love with a Londoner during a World War I air raid, unaware that she is a prostitute. Director James Whale (Frankenstein, The Invisible Man) delivers a solid melodrama with two great lead performers. I was particularly taken with Kent Douglass as Roy. At times, he seemed to display the kind of naturalistic acting style that wouldn’t become popularized until Brando hit the scene decades later. I totally bought Roy’s doe-eyed infatuation with Myra (Mae Clarke), hook, line and sinker. Clark is good with the tremendous amount of pathos the screenplay gives her to work with.
Charles Laughton’s performance as Quasimodo is the main reason to see this movie. Laughton gives the deformed bell ringer moments of quiet torment as well as unbridled joy, and without ever going over the top – a remarkable feat that should have earned him an Oscar nomination. I also liked Cedric Hardwicke as the malevolent Frollo and Maureen O’Hara (in her screen debut) as Esmerelda, but several of the other cast members act as though they are playing cartoon characters (Harry Davenport is the worst offender). The film could have benefited from a more genuine period setting and a more earnest supporting cast. Director William Dieterle bestows the film with some elegance, though it’s not nearly as polished as his later work on The Devil and Daniel Webster.
John Huston tackles Flannery O’Connor’s gothic tale of southern evangelism. Wise Blood is a curious movie full of interesting ideas, not the least of which is a paradoxical main character who shuns Jesus while simultaneously torturing himself for some sort of redemption. Brad Dourif (One Flew Over the Cuckoo’s Nest, Child’s Play) stars as the son of a ‘hellfire and brimstone’ preacher (Huston in flashbacks) who moves to a new city and tries to start up his own church, “The Church Without Jesus.” Preaching on street corners, he easily wins the undying allegiance of a simpleton played by Dan Shor (Tron, Bill and Ted) and makes enemies with rival street preachers (Harry Dean Stanton and Ned Beatty) who only seek to swindle a dollar from faithful onlookers.
