American Hustle (2013)
[8]
Two con artists (Christian Bale and Amy Adams) get roped by an FBI agent (Bradley Cooper) into a scheme to bring down an earnest mayor (Jeremy Renner) and as many congressmen as possible. But when the mafia (headed by Robert DeNiro) get embroiled in the ruse, allegiances get dicey. American Hustle is from one of my favorite writer/directors, David O. Russell (Three Kings, Silver Linings Playbook), who has yet to wrong to the movie-going public. He’s great with ensembles and he’s smart enough to give good ones a wide berth. The men all do fine jobs here, including comedian Louis C.K. in a memorable supporting role as Cooper’s reluctant boss. But it’s the women who really shine. Four-time Oscar nominee Adams is especially good when she tells boyfriend Bale the great lengths to which she will go to make Cooper think she loves him. She’ll keep you guessing as to whose side she’s really on.
The Dark Backward (1991)
[3]
In a dystopian world full of garbage and stained walls, an unfunny comedian (Judd Nelson) starts growing a third arm out of his back. His super-annoying friend (Bill Paxton at his worst) sees the aberration as his ticket out of hell and exploits it for all its worth. A smarmy talent agent (Wayne Newton) decides to rep them, and an even bigger agent (Rob Lowe) decides to bring them to Hollywood. But then the arm disappears and the poor unfunny comedian learns who his true friends are. Spoiler alert: he hasn’t any.
Spider-Man (2002)
[7]
Sam Raimi (The Evil Dead) takes the reigns and casts Tobey Maguire as the famous web-slinging superhero. The script is ripe with pointed dialogue, but I’ll be darned if the cast don’t pull it off more often than not. Raimi’s approach is decidedly ‘comic booky’, full of color and frenetically paced, with all the grace notes and emotional high points bent toward operatic. As Peter Parker and Spider-Man, Maguire, with his big, soulful eyes, is easy to empathize with. His take on the character is more introverted than you might expect, but inviting. (If I wanted to watch a douche bag save the day, I’d re-watch Iron Man.)
About a Boy (2002)
[7]
An aimless playboy and a dorky middle-schooler become friends through serendipity in About a Boy, based on the book by Nick Hornby and directed by Chris and Paul Weitz of American Pie fame. Hugh Grant plays the playboy, coasting on royalties from a famous song his father wrote. Nicholas Hoult, who would later grow up to later star in X-Men: First Class and Warm Bodies, plays the kid. I have a soft spot for surrogate father/son relationships in movies (and I don’t think I’m alone), but Grant and Hoult do a commendable job playing the parts believably and steering clear of cheese. The film manages to incorporate some real drama into the mix, especially regarding Hoult’s suicidal mother (Toni Collette), without getting too weighed down.
People Will Talk (1951)
Adoration (2008)
Lake Placid (1999)
Lawless (2012)
[8]
John Hillcoat (The Road) directs this true story co-written and scored by Nick Cave. Shia LaBeouf (Transformers) and Tom Hardy (The Dark Knight Rises) star as entrepreneurial brothers who make and sell moonshine in prohibitionist Virginia. The brothers already have an ‘understanding’ with the local law enforcement, but when a gangster (Gary Oldman) and a dirty district attorney (Guy Pearce) vie for a piece of the boys’ profits, things get out of hand… quickly and violently.
Frankie Go Boom! (2012)
[6]
Charlie Hunnam (Sons of Anarchy, Pacific Rim) stars as Frankie, a hapless fellow who is constantly humiliated on camera by his older brother, Bruce (Chris O’Dowd). After one of Bruce’s videos became an internet sensation, Frankie went into isolation. But now that Bruce is getting out of rehab, their mother (Nora Dunn) convinces Frankie to give his brother a second chance. Unfortunately, Bruce is still up to his old tricks and a new, even more volatile video has hit the web. Can the brothers work together to stop the video from going viral before multiple lives are ruined?








