The Butterfly Effect (2004)
[5] Talk about a hard pitch. Try to follow me here. So, there's this kid. And whenever something dramatic is about to happen to him, his memory blacks out. He basically jumps a minute or two into the future, all…
Bullitt (1968)
[6] Steve McQueen stars as a San Francisco cop charged with protecting a mobster who is about to squeal for a US senator. When the witness is killed, McQueen works around the clock to discern the identity of the killers…
Abandon (2002)
[4] SPOILER REVIEW Within the first half-hour of Abandon, a police detective (Benjamin Bratt) asks an ambitious college student (Katie Holmes) about her missing boyfriend. The college student doesn't seem to care that her boyfriend is missing, so I immediately…
Cruising (1980)
[8] Al Pacino plays a New York police detective who goes deep under cover within the city's S&M community to catch a serial killer preying on gay men. Director William Friedkin (The Exorcist, The French Connection) stirred controversy for his…
Arlington Road (1999)
[7] Jeff Bridges stars in this taut thriller, playing a widower and single father who suspects his next door neighbors (Tim Robbins and Joan Cusack) may be terrorists. Director Mark Pellington works from Ehren Kruger's tense, devious screenplay (winner of…
The Forgotten (2004)
[6] Julianne Moore stars as a woman convinced that she once had a son who died in a tragic plane crash, but everyone around her -- including her own husband -- insists the boy never existed. The movie is full…
Naked Lunch (1991)
[3] I want to be nice to this movie because so many of my friends adore it. But I've pondered this review for over a month and can't put it off any longer. I don't like this movie. Like, at…
Eyes Wide Shut (1999)
[7]
In the final film from Stanley Kubrick, a socialite couple (Tom Cruise and Nicole Kidman) get in over their heads when they decide to follow their adulterous impulses. This movie gets a bad rep, but I think it’s primarily because the casting of two superstars led to more commercial audience expectations. It’s a more intimate portrait than that, and beautifully made. I really love the weed-smoking scene, especially for the sinister undertone in Kidman’s performance. She outshines Cruise in this movie. Thematically, I enjoyed the exploration of infidelity — men’s, women’s, real, imagined. I find it interesting that the female character needs her husband to acknowledge her desires, while he seems uncomfortable acknowledging his own. (Ironic casting of Cruise? I think so.) And of course, it’s also fun to see the posh, clandestine orgy scene of Kubrick’s dreams (with the full-frontal shots restored to the most recent DVD and blu-ray releases).
The Number 23 (2007)
[6]
Jim Carrey stars as a man who discovers a book that he believes is about him, sinking him further and further into a murder mystery that proposes the killer is, quite literally, the number 23. Carrey is good and director Joel Schumacher’s (A Time to Kill, Flatliners) direction is taut, if a little too hyper-stylized for the material. I don’t put stock in numerology, so the first half of the film strains my suspension of disbelief. Fortunately, Fernley Phillips’ script makes a one-eighty after the mid-point and I found the last half much more engaging than the first. (I won’t give any direct spoilers, but it’s a lot like A Beautiful Mind in its narrative structure.) Cinematographer Matthew Libatique (Requiem for a Dream, Black Swan) serves up high-contrast lighting and a palette of deep colors to reinforce Schumacher’s melancholy tone, while Harry Gregson-Williams’ score plays counterpoint, adding a sense of wonder and urgency.
Thunder Rock (1942)
[6] Part ghost story, part wartime propaganda flick, this heady British production is truly an unusual find. Michael Redgrave plays an American lighthouse keeper who has withdrawn from the world. Having lost all faith in humanity, especially in light of…