[7] Amy Adams plays a linguist recruited by the military after aliens (the space kind) make first contact with human beings in twelve separate locations across the globe. Eric Heisserer’s non-linear screenplay (based on a story by Ted Chiang) and Denis Villeneuve’s austere direction make the first two-thirds of Arrival a pretty gripping film for people with the desire and ability to pay attention and …
[8] It’s so refreshing to watch heroes and villains who are over the age of 40. Skyfall repeatedly suggests that sometimes older is better, and I couldn’t agree more. Daniel Craig’s third turn as James Bond is at least as good as his first, Casino Royale. Javier Bardem makes an excellent villain and we also get to enjoy Judi Dench in a full co-starring role …
[8] George Miller has stopped making talking pig and dancing penguin movies (Babe, Happy Feet) long enough to give us another installment in his seminal apocalyptic Mad Max series. The result is probably one of the greatest non-stop action movies ever made. Tom Hardy takes the reigns from Mel Gibson as the title character, but gets to sink his teeth into the role quite a …
[6] Gravity is so harrowing, I’m tempted to call it crisis porn. The movie stars Sandra Bullock and George Clooney as astronauts stranded in orbit over Earth after debris destroys their spacecraft. Director Alfonso Cuarón (Children of Men, A Little Princess) warns us from the get-go with some on-screen text that life in space is impossible, and then proceeds to throw everything you can imagine …
[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …
[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring. Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …
[9] A man slowly discovers that reality is not what it seems and that we are all actually slaves to more advanced technological organisms in this uber-cool, groundbreaking sci-fi flick with an incredible screenplay and visionary aesthetics. There is a place in cinema for Keanu Reeves, and it is The Matrix. (Who knew?) Carrie-Anne Moss and Laurence Fishburne steal the show, both playing walking talking …
[9] By anchoring his screenplay in one of the most inherently compelling tragedies of the twentieth century and placing the the weight of the story on Kate Winslet’s able shoulders, James Cameron concocts a recipe for the biggest money-making movie of all time (still true as of this writing, though his own Avatar threatens to dethrone the ill-fated vessel). The movie is split in two, …
[9] If you think of this movie as Jaws on land, as director Steven Spielberg has suggested, it can’t quite compare to that masterpiece. The characters aren’t strong enough. But it’s still a hell of a summer event movie, delivering groundbreaking effects and well-choreographed thrills. The Michael Crichton story focuses on an island theme park where a wealthy entrepreneur (Richard Attenborough) has resurrected dinosaurs from …
[9] This is one of those rare sequels that is arguably better than its predecessor. It may not be as raw and moody as The Terminator, but Terminator 2 is a kick-ass action movie — one of the best ever made, frankly. I love how the trio of primary characters become a surrogate family. It’s also interesting to see the Terminator become a protector while …
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