[8] Frank Darabont dives back into the Stephen King well and comes out with a winner. The Mist is about a disparate group of people who end up trapped together in the local grocery store when a strange, scary mist…
[8] This monster movie from the creators of Lost and Felicity combines low-budget ingenuity with high-budget production values for a thrilling movie going experience. The whole film is hand-held 'found footage' documenting a group of friends' attempted escape from Manhattan…
[8] A group of college kids go to a cabin in the woods, but that's as far as we get into the story before director Drew Goddard and producer Joss Whedon turn the trope on its head. In a Scream-like…
[8] I was beginning to wonder if torture could ever be depicted in a movie without the movie becoming "torture porn", without any other cinematic merit. This French horror flick answers my question. In Martyrs, torture isn't just a dirty…
[8]Â An austere Swedish import that is both a touching coming-of-age story and a disturbing horror film. Let the Right One In centers around twelve-year-old Oskar, a bullied boy who befriends a strange new girl whose arrival into the community…
[8] A man captures a feral woman and chains her up in his cellar, calling upon his wife and kids to help him 'civilize' her. The Woman makes bold play of gender dynamics that will leave some viewers crying 'misogyny',…
[8] The film adaptation of Robert Harling's play is unabashedly melodramatic, nostalgic, and sentimental. Some of those qualities usually annoy the hell out of me, but the ensemble of great actresses and the slew of memorable one-liners make Steel Magnolias…
[8] Charlize Theron stars as Aileen Wuornos, the infamous Florida prostitute who became a serial killer, in this film chronicling her last few months of freedom before being captured and executed in 2002. Writer/director Patty Jenkins doesn't shy away from…
[8] Hot off his Best Director Oscar for Birdman, Alejandro González Iñárritu delivers another astonishing directorial effort. The Revenant is shot entirely outdoors with available lighting, capturing the story of an 1820s fur trader (Leonardo DiCaprio) who is viciously mauled…
[8] I haven't particularly liked any Rob Zombie movies until this one, which is strange because his devoted fans -- by and large -- detest this movie. The Lords of Salem features masterful style and cinematic execution, often reminding me…