Argo (2012)
[8] Score another point for Ben Affleck. I never much cared for him as an actor, but between this film and 2007's Gone Baby Gone, the guy has shown us some serious directing chops. Argo is the true story of…
Lawless (2012)
[8]
John Hillcoat (The Road) directs this true story co-written and scored by Nick Cave. Shia LaBeouf (Transformers) and Tom Hardy (The Dark Knight Rises) star as entrepreneurial brothers who make and sell moonshine in prohibitionist Virginia. The brothers already have an ‘understanding’ with the local law enforcement, but when a gangster (Gary Oldman) and a dirty district attorney (Guy Pearce) vie for a piece of the boys’ profits, things get out of hand… quickly and violently.
Frankie Go Boom! (2012)
[6]
Charlie Hunnam (Sons of Anarchy, Pacific Rim) stars as Frankie, a hapless fellow who is constantly humiliated on camera by his older brother, Bruce (Chris O’Dowd). After one of Bruce’s videos became an internet sensation, Frankie went into isolation. But now that Bruce is getting out of rehab, their mother (Nora Dunn) convinces Frankie to give his brother a second chance. Unfortunately, Bruce is still up to his old tricks and a new, even more volatile video has hit the web. Can the brothers work together to stop the video from going viral before multiple lives are ruined?
The Perks of Being a Wallflower (2012)
[8]
Logan Lerman (from the Percy Jackson movies) stars as Charlie in this coming-of-age drama/romance about a socially awkward high school boy who finds solace among the ‘freaks’ while overcoming a past trauma that left him hospitalized. Emma Watson (Hermione from Harry Potter) and Ezra Miller co-star as Sam and Patrick, Charlie’s newfound friends. Together, the trio bond over music and star in a production of The Rocky Horror Picture Show — very much the counter-culture sort of kids. Things go swimmingly until Charlie starts to fall for Sam, and Patrick’s secret relationship with a member of the football team is exposed to the whole school. As these and other dramatic entanglements threaten to destroy his new friendships, Charlie also begins having painful flashbacks surrounding the death of an aunt.
Premium Rush (2012)
[4] Joseph Gordon-Levitt stars as a New York City bicycle delivery man engaged in a never-ending cat-and-mouse chase with a nasty copy (Michael Shannon) for possession of a very valuable package. Premium Rush reminds me of movies like Rad and…
American Mary (2012)
[6]
Katharine Isabelle (Ginger Snaps) puts in a solid performance as a student surgeon whose life takes a serendipitous turn into the underground world of extreme body modification in Jen and Sylvia Soska’s American Mary. After one odd surgery procures her some much-needed cash, her name is quickly bandied about the message boards of people who are into things like… horns, tails, split tongues, appendage swaps… you name it, really. One character in the film is trying to look as close to a living Barbie doll as possible, and asks Isabelle’s character to surgically remove her nipples and genitalia (as much as possible). Another is trying to look and sound like Betty Boop. What’s most interesting about American Mary is that it sheds light on a real-life subculture that most people would find interesting and perhaps a little frightening. But the Soska Sisters (who wrote and directed the feature together) paint their subjects in a flattering, sympathetic light. That’s not to say the Soskas don’t take advantage of the sensational potential here — they just do it with respect.
The Bay (2012)
[4] Oscar-winning director Barry Levinson (Rain Man, Good Morning Vietnam) slums it with this found footage horror flick about a small Maryland community that gets infected by mutant parasites. The core concept is a solid one, building off the real-life…
Killing Them Softly (2012)
[6]
Brad Pitt reunites with writer/director Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford), playing a hit man called in by the local crime lords after two young kids take down a big card game that collapses the underground economy. The parallels to the US economy are blatant, complete with recurring clips of Barack Obama and George W. Bush talking about the financial collapse of 2008. But if you ignore the pointed comparison, Killing Them Softly offers a compelling portrait of characters who do anything to get by. They aren’t quite the tough guys of so many other mob and gangster movies — Dominik’s character’s don’t enjoy hurting people, they just want to get paid — and they fear the consequences of their actions. It’s a refreshing spin on familiar ‘tough guy’ tropes, but don’t expect a Scorsese or Tarantino movie here. This one favors conversation and performance well over action. There are a couple of visceral moments in the film (both involving the brutal misfortunes of Ray Liotta’s character), but the real reason to see Killing Them Softly is for the performances.
This Is 40 (2012)
[6]
Leslie Mann and Paul Rudd star as two 40-year-olds struggling to balance the demands of their marriage, children, parents, and jobs. This Is 40 is billed as a ‘sort of’ sequel to Knocked Up, where Mann and Rudd originated the roles. Both films were directed by Judd Apatow, and both take a more pastiche approach to their narratives. On one hand, I like the fly-on-the-wall approach. It favors character over formulaic story structure. On the other hand, without that trusted structure, Apatow’s movies just seem to go on forever and ever and ever. This one is two hours and fifteen minutes, and I stand by my rule that no comedy should exceed an hour forty five.
The Amazing Spider-Man (2012)
[6]
Director Marc Webb (500 Days of Summer) takes on the web-slinging superhero in this hasty reboot of the franchise (just five years after Sam Raimi finished his trilogy). Andrew Garfield (The Social Network, Never Let Me Go) stars as Peter Parker, a high schooler who gets bitten by a radioactive spider and… you know the rest. The approach here is more realistic than Raimi’s, which provides Garfield (one of the finest actors of his generation) the opportunity to sink his teeth into a surprisingly angsty role. I can’t think of another time when a superhero role provided an actor more dramatic range. Emma Stone (Easy A, Zombieland) is given far less to do as Parker’s love interest, Gwen Stacy, but she makes the most of it. Martin Sheen and Sally Field bring gravitas in the roles of Parker’s Uncle Ben and Aunt May, while Denis Leary plays the police chief who doesn’t appreciate Spider-Man’s vigilante antics. Rhys Ifans (Notting Hill) picks up the mantle of super-villain, playing Curt Connors, a sympathetic scientist who’s desire to rid the world of disease leads to risky, gene-splicing self-experimentation. He becomes Parker’s third-act adversary — a raging Lizard monster.