Jerry Goldsmith

[7] Gizmo the cute Mogwai is back, and he gets wet again — this time in a New York City skyscraper run by a Donald Trump-like billionaire. Billy Peltzer and Kate Beringer (returning stars Zach Galligan and Phoebe Cates) both work there and re-team with their furry companion just in time to do battle with another army of nasty gremlins. This sequel to the 1984 …

[8] Ridley Scott (Blade Runner, Alien) directs this lavishly mounted fantasy film that’s high on style but low on action. The sets are jaw-dropping, whether it’s the huge, scintillating fairy forest or the fiery underground dungeons of hell. Makeup artist Rob Bottin (The Howling, The Thing) showcases some spectacular Oscar-nominated work. Just look at Tim Curry (The Rocky Horror Picture Show‘s Dr. Frank-N-Furter) as Darkness, …

[7] In The Other, To Kill a Mockingbird director Robert Mulligan does a great job engendering sympathy for a schizophrenic child who is channeling the spirit of his deceased twin. Chris and Martin Udvarnoky do a commendable job playing the boy and his ‘other,’ and famed acting teacher Uta Hagen is good as the Russian aunt who begins to put two and two together after …

[10] Does it mean anything that Gremlins is my favorite Christmas movie?  Am I bad person because I eschew the sentimentality of It’s A Wonderful Life for the malevolent rampage of little green monsters? Actually, sentimentality plays a big part in my love for the film. With its corny premise and comic book violence, Joe Dante’s film is an unabashed homage to the low-budget horror …

[10] A suburban family seeks the help of paranormal investigators after their youngest daughter is kidnapped by malevolent spirits inside their own home. Poltergeist, written and produced by Steven Spielberg and directed by Tobe Hooper (The Texas Chainsaw Massacre), is an emotional and visceral thrill ride that I have cherished since childhood. The story’s family, the Frelings, are quirky but entirely believable. You get invested …

[9] Chinatown is the name of the movie, but only a short final scene takes place there. One could argue the film is a journey to its namesake, but even that’s not enough to explain the title. In a rare intimate scene in the film, Jack Nicholson tells Faye Dunaway about his time as a cop working in Chinatown. He tried to help a woman, …

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