It’s fun to watch Greta Garbo defrost in Ninotchka. She plays an oh-so-serious Russian sent to Paris to straighten out the sale of some allegedly stolen jewels. Melvyn Douglas gets in her way. At first, he’s an annoyance, but a curious one. Her no-nonsense attitude toward him makes for a unlikely cinematic romance. The highlight of their courtship is a restaurant scene where Douglas is determined to make Garbo laugh. He tells joke after joke to no affect. Then Douglas leans back too far in his chair and falls on his ass. This results in one of the most joyous reaction shots from the Golden Age of Cinema.
Three girls and a teacher mysteriously disappear during a 1900 school picnic at a strange rock formation in this Australian film from director Peter Weir (Witness, Master and Commander). Weir uses his trademark poetic license to suggest a supernatural cause, but don’t look for a firm answers — the film is based on a true story that was never solved.
Based on the novel Washington Square by Henry James, The Heiress centers around Catherine (Olivia de Havilland), a shy, socially inept young woman who gets swept off her feet by a dashing young destitute (Montgomery Clift). When her father (Ralph Richardson) accuses the man of preying on his daughter’s inheritance, he threatens to cut her off. Putting all her faith in her first love, Catherine ends up brutally betrayed by both men — and begins to trade her naivete and timidity for spite and cruelty.
Two Arkansas boys discover a wanted man (Matthew McConaughey) hiding out on an island who needs their help to find his girlfriend and escape a small army of bounty hunters. There’s a resounding echo of Shane here, with McConaughey putting in another fine performance after his career-turning appearances in Magic Mike and Killer Joe last year. (Welcome back, Matthew!)
