[6] In order to make The Dark Crystal, Jim Henson and company first had to make the financiers a sequel to their successful Muppet Movie. And so The Great Muppet Caper was born. It's not as epic or inspirational as…
[7] A mysterious carnival rolls into town, granting wishes at a sinister cost in Disney's adaptation of the Ray Bradbury story. I wish the film were more strongly from the perspective of the two leading boys and that their parts…
[6] Charlton Heston headlines an ensemble cast in Cecil B. DeMille's The Greatest Show on Earth. We're talking, of course, about the Circus -- and the lives of the people who put it on. Heston plays the owner and manager…
[4] This short feature presentation from Disney Animation is really two short stories slammed together. Up first, we have "The Wind in the Willows," narrated by Basil Rathbone. It's a fast-paced story about three stuffy critters -- a badger, a…
[8] A group of kids who call themselves the Goonies rally together for one last adventure before they're all forced by a real estate meanie to move away from their Pacific northwest coastal community. They find a map and follow…
[4] For its racist stereotypes and sugar-coated depiction of plantation life in the post-Civil War South, Disney has locked away Song of the South from the public since its last re-release in 1986. I don't think the film is any…
[7] Beneath the cutesy veneer of this big-budget family spectacle is a surprisingly morose Ghost and Mrs. Muir subplot. The screenplay is a bit scattershot in its aim, but I have to give this flick major kudos for tackling the…
[3] When the army took over Disney Animation during WWII to make training and propaganda films, old Walt was forced to make a series of 'package films' to keep the studio afloat until he could afford to make another stand-alone…
[4] Around the World in 80 Days is a three-hour-long, episodic adventure that's high on spectacle and low on story or character. I wager it played better to a 1950s audience interested in seeing a cliche-ridden "It's a Small World"-like…
[7] This sequel taps into two powerful currents of audience identification: the love between parents and children, and the love between people and animals. You can approach these with cloying calculation, as many family films do, or you can attack…