Maniac (2013)

Maniac (2013)

[6]

If you wanted to remake William Lustig’s 1980 slasher cornerstone with an abundance of point-of-view shots, you probably couldn’t do a better a job than Franck Khalfoun did with this remake. Maniac is beautiful and imaginative, photographed almost entirely from the killer’s (Elijah Wood’s) point of view. You really only see him in mirrors and other reflective surfaces. On one hand, the conceit is clever and cool, but on the other hand, it ends up being what I’m paying attention to — not the thin storyline or the operatic depiction of its psychologically scarred central character. I think less would have been more where the back story is concerned, and I’m not sure the perpetual POV tactic is the best way to tell this story.

Killer Joe (2012)

Killer Joe (2012)

[9] William Friedkin (The Exorcist, The French Connection) directs this darkly comic trailer trash ensemble piece about a family that conspires to hire a killer to whack their matriarch and collect her life insurance. Matthew McConaughey delivers a tense, frightening,…
The Impossible (2012)

The Impossible (2012)

[9] Naomi Watts and Ewan McGregor star in this harrowing true story about a vacationing family torn violently apart by the 2004 tsunami that ravaged Thailand. The natural disaster is recreated in the opening act, seen through the eyes of…
Black Swan (2010)

Black Swan (2010)

[8] SPOILER REVIEW: Natalie Portman is incredible in Black Swan, the story of a ballerina who must tap into her 'dark side' to play the Swan Queen in a New York City performance of Swan Lake. Portman's performance is a…
Inception (2010)

Inception (2010)

[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters -- and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our…
District 9 (2009)

District 9 (2009)

[9]

Neill Blomkamp’s stellar directorial debut is an unpredictable blend of intelligence, emotion, and cinematic whoop-ass that defies convention and leaves you breathless. It begins like a documentary, outlining how a race of stranded aliens (the space kind) came to be ghettoized in South Africa. We follow a character named Wikus, a bumbling government agent who is tasked with herding the aliens to a new camp (the concentration kind) further away from Johannesburg. The aliens aren’t pretty, but you’ll be surprised how emotionally invested you’ll get in a couple of them — a father named Christopher, and his tiny young son, who are desperately trying to find a way back to their home world. When Wikus subjects himself to a dangerous alien chemical, he begins a Kafka-esque transformation into one of the aliens, or “prawns” as they are called derogatorily.

The Midnight Meat Train (2008)

The Midnight Meat Train (2008)

[9]

Hellraiser fans rejoice. This is the best Clive Barker movie in twenty years. Director Ryuhei Kitamura hits the nail on the head (or the meathook through the ankles) in his handling of the story, which centers around an urban photographer (The Hangover‘s Bradley Cooper) in search of brutal subject matter. He finds what he’s looking for after stalking a stern-looking butcher onto a subway car late one night. As Cooper’s character and his girlfriend (Leslie Bibb) begin to connect the mysterious butcher to a series of missing persons reports, they fall head-first into some supernatural shit that will change their lives forever.

WALL-E (2008)

WALL-E (2008)

[9]

My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so.  There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond.  The fact that these two odd ‘bots end up protecting the last sliver of life on Earth — a tiny plant — could have been cloying, but Pixar knows how to handle the material.  When WALL-E finds the fragile vine, he simply collects it in an old shoe and places it on a shelf with other artifacts of a bygone era. 

There Will Be Blood (2007)

There Will Be Blood (2007)

[10] Director Paul Thomas Anderson (Boogie Nights, Magnolia) serves up a masterful study of two ambitious men -- a turn-of-the-century oil prospector driven by capitalism and a young preacher eager to grow his flock. The two men come to conflict…
Little Miss Sunshine (2006)

Little Miss Sunshine (2006)

[10] I love road movies and ensemble pieces, but Little Miss Sunshine goes one step further by saying something we all need to hear from time to time: it's okay to fall short of ambition. The film throws six disparate…