The Lone Ranger (2013)

The Lone Ranger (2013)

[5]

Armie Hammer (The Social Network) stars as the legendary masked man while Johnny Depp picks up the mantle of Tonto in this big-budget version of The Lone Ranger from director Gore Verbinski (The Ring) and producer Jerry Bruckheimer. It’s painfully obvious that the creative team is working very hard to rekindle the flame they ignited with the Pirates of the Caribbean franchise, complete with improbable action set-pieces that rise up out of nowhere and characterizations as broad as the old-fashioned melodramas the film is based on.

The Heiress (1949)

The Heiress (1949)

[7]

Based on the novel Washington Square by Henry James, The Heiress centers around Catherine (Olivia de Havilland), a shy, socially inept young woman who gets swept off her feet by a dashing young destitute (Montgomery Clift). When her father (Ralph Richardson) accuses the man of preying on his daughter’s inheritance, he threatens to cut her off. Putting all her faith in her first love, Catherine ends up brutally betrayed by both men — and begins to trade her naivete and timidity for spite and cruelty.

Mud (2013)

Mud (2013)

[9]

Two Arkansas boys discover a wanted man (Matthew McConaughey) hiding out on an island who needs their help to find his girlfriend and escape a small army of bounty hunters. There’s a resounding echo of Shane here, with McConaughey putting in another fine performance after his career-turning appearances in Magic Mike and Killer Joe last year. (Welcome back, Matthew!)

This Is The End (2013)

This Is The End (2013)

[7] Seth Rogen, Jay Baruchel, James Franco, Jonah Hill, Craig Robinson and Danny McBride play themselves, trapped in Franco's swanky pad during the Apocalypse in this weird little horror comedy written and directed by Rogen and Evan Goldberg (who also…
World War Z (2013)

World War Z (2013)

[7]

Brad Pitt admirably carries this big-budget zombie apocalypse flick that has more in common with Outbreak or Contagion than it does your standard zombie fare — don’t expect blood and gore, horror fans. Director Marc Forster (Monster’s Ball, Stranger Than Fiction) succeeds in ratcheting up the tension with a script (based very loosely on Max Brooks’ book) that is essentially one dramatic escape sequence after another.

Man of Steel (2013)

Man of Steel (2013)

[2]

I haven’t wanted to walk out of a movie I paid for in a long, long time, but I damn near walked out of this one. “Man of Steel” is ridiculously awful. At best (if I weren’t a Superman fan), it’d be “Transformers 4”, another busily boring, loud, emotionally bankrupt piece of nauseating, over-indulgent, digital miasma. But if you are a Superman fan, this film is downright offensive and insulting.

Oz the Great and Powerful (2013)

Oz the Great and Powerful (2013)

[5]

It takes a while for Sam Raimi’s Wizard of Oz prequel to pull its shit together and make you care a little about what’s happening, but the final act’s (digital) pyrotechnics and displays of combative sorcery help pull the movie just barely into the safe zone. The casting leaves something to be desired. James Franco, whom I normally like, is surprisingly bland in a role where he desperately needs to carry the film. He gets better as the film goes, finally reaching his stride as Oz the Great and Powerful makes his thundering debut to the citizens of the Emerald City.

Iron Man 3 (2013)

Iron Man 3 (2013)

[6]

I wasn’t a huge fan of the first two Iron Man movies. A little snarky Robert Downy Jr. goes a long way with me. I like him better when he’s part of an ensemble (like in The Avengers). So while it may be faint praise, I did enjoy this third film in the series most of all.

August: Osage County (2013)

August: Osage County (2013)

[9] I love me some ensemble dramas, and August: Osage County does not disappoint -- even if it does hit a little too close to home for comfort... but then whose life isn't affected by drugs and closeted skeletons these…
Warm Bodies (2013)

Warm Bodies (2013)

[7] In the great zombie apocalypse, a dead teenager (Nicholas Hoult) falls in love with a human survivalist (Teresa Palmer). Their affection for each other sparks enlightenment among the rest of the freshly dead, while the girl's militaristic father (John…