Gravity (2013)

Gravity (2013)

[6]

Gravity is so harrowing, I’m tempted to call it crisis porn. The movie stars Sandra Bullock and George Clooney as astronauts stranded in orbit over Earth after debris destroys their spacecraft. Director Alfonso Cuarón (Children of Men, A Little Princess) warns us from the get-go with some on-screen text that life in space is impossible, and then proceeds to throw everything you can imagine at Bullock and Clooney’s characters. They’ve got dwindling oxygen supplies, they’ve got the debris looping back around at them every ninety minutes, their spacesuits are running out of propulsion, and their connection to Huston has gone dark. There are the threats of burning alive, freezing to death, drowning, and slipping into coma. They see other members of their crew frozen solid, flesh exposed to the vacuum of space — one guy with a tidy hole clean through his head.

Gone with the Wind (1939)

Gone with the Wind (1939)

[7]

Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything she’s in), Hattie McDaniel (who deserved her Oscar), and Butterfly McQueen (for bringing a little comedy to the proceedings). I don’t get Leslie Howard as Ashley. For being the crux of the movie’s romantic triangle, I’d like to have known what was so darned special about him. Max Steiner’s music, especially the Tara theme, is among the most memorable ever composed for film.

The Towering Inferno (1974)

The Towering Inferno (1974)

[7] Steve McQueen and Paul Newman help rescue people trapped in a flaming highrise in Irwin Allen's disaster opus, The Towering Inferno. It is what it is -- we all at one time or another want to watch disaster unfold…
The Departed (2006)

The Departed (2006)

[9] Martin Scorsese helms this dramatic thriller about an undercover cop (Leonardo DiCaprio) and a gang mole in the Boston police (Matt Damon) who race to uncover each other's identities while a powerful mobster (Jack Nicholson) manipulates them both to…
The Aviator (2004)

The Aviator (2004)

[9] Martin Scorsese directs Leonardo DiCaprio in this biopic of Howard Hughes, the billionaire aviator, filmmaker, and playboy whose considerable ambition was tragically counterbalanced by his mental illness. The Aviator opens with Hughes' mammoth, three-year-long production of the aerial battle…
The Lord of the Rings (2001, 2002, 2003)

The Lord of the Rings (2001, 2002, 2003)

[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien's supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo…
The Matrix (1999)

The Matrix (1999)

[9] A man slowly discovers that reality is not what it seems and that we are all actually slaves to more advanced technological organisms in this uber-cool, groundbreaking sci-fi flick with an incredible screenplay and visionary aesthetics. There is a…
Titanic (1997)

Titanic (1997)

[9] By anchoring his screenplay in one of the most inherently compelling tragedies of the twentieth century and placing the the weight of the story on Kate Winslet's able shoulders, James Cameron concocts a recipe for the biggest money-making movie…
J.F.K. (1991)

J.F.K. (1991)

[10]

It doesn’t matter whether you think Oswald acted alone or not. Oliver Stone’s JFK is stunning in its craftsmanship and enthralling in its narrative construction. If you’re only casually familiar with the people and events surrounding Kennedy’s assassination and the conspiracy theories about it, brace yourself for a fast-paced, provocative, emotionally compelling story that is sure to make you drop your jaw and raise your eyebrows.

Dances With Wolves (1990)

Dances With Wolves (1990)

[10]

Kevin Costner’s ambitious ode to the American frontier is grand, romantic storytelling at its best. And talk about an underdog. People were calling it ‘Kevin’s Gate’ months prior to release — and why shouldn’t they? A three-hour long western with most of its dialogue in Lakota Sioux? How could such a movie find an audience, much less sweep the Academy Awards?