Force 10 from Navarone (1978)

Force 10 from Navarone (1978)

[5] Robert Shaw and Edward Fox reprise the roles originated by Gregory Peck and David Niven in The Guns of Navarone for this matinee adventure sequel. Shaw and Fox are led by Harrison Ford as a U.S. Colonel and joined by Carl…
Working Girl (1988)

Working Girl (1988)

[8] Mike Nichols (The Graduate) directs Kevin Wade's tale of a stalwart secretary trying to climb the corporate ladder in New York. Working Girl is a highly enjoyable comedy-drama with a screwball slant. Melanie Griffith has never been better than she is…
The Mosquito Coast (1986)

The Mosquito Coast (1986)

[10]

Harrison Ford gives one of his best performances as Allie Fox, an obsessed inventor who moves his family to a Central American jungle to escape what he perceives to be the end of American civilization. Peter Weir (Witness, Dead Poets Society) directs from a screenplay by Paul Schrader (Taxi Driver, Raging Bull), based on the novel by Paul Theroux. We experience the story through the eyes of Fox’s eldest son, Charlie (River Phoenix). Charlie begins the film in awe of his father, but as Allie spirals out of control, putting his family in danger and developing a serious God complex, Charlie begins conspiring with his mother (Helen Mirren) to save the family from their patriarch.

Indiana Jones and the Temple of Doom (1984)

Indiana Jones and the Temple of Doom (1984)

[9] It may not be as clever or well-crafted as its predecessor, but the first Indy Jones sequel (which is technically a prequel) is still loads of fun. In place of the Nazis, we get a blood-drinking Indian cult, and in place…
Return of the Jedi (1983)

Return of the Jedi (1983)

[9] Compared to the previous two episodes in the original Star Wars trilogy, Return of the Jedi comes up a bit short in character and drama. Richard Marquand's direction isn't as elegant or purposeful as Irvin Kershner's (who directed The Empire Strikes Back so gorgeously).…
Blade Runner (1982)

Blade Runner (1982)

[10]

Blade Runner tackles one of science fiction’s biggest questions:  what makes us human? The story by Philip K. Dick is a sci-fi allegory for soldiers returning home with post-traumatic stress, wrapped in the veneer of a neo-noir detective story — all in all, a beguiling blend of genres and content. Harrison Ford plays the detective, Dekkard, a world-weary loner hired to hunt androids (here called replicants) in need of ‘retirement’. The notion is that the replicants were created for war, and once they’re done fighting, they can’t possibly reintegrate back into society. But where real-life soldiers risk losing part of their humanity through warfare, the replicants allege to have discovered theirs — if not through battle, through the things they’ve seen and experienced across the universe.

Raiders of the Lost Ark (1981)

Raiders of the Lost Ark (1981)

[10]

Steven Spielberg wanted to make a James Bond movie until his buddy George Lucas said, ‘I have a better idea.’ And he did. Lucas created Indiana Jones, a globe-trotting archaeologist who sought treasure for fortune and glory while encountering a variety of adversaries in his travels, starting with the Nazis in Raiders of the Lost Ark. Indiana Jones would become the new name of film adventure in the 1980s, paying homage to the cliffhanger serials of yesteryear while simultaneously elevating them with a bigger budget and more attention to craft and character. Lawrence Kasdan’s screenplay for Raiders of the Lost Ark is a well-oiled machine that never falters or skips a beat, balancing the thrills with a healthy dose of humor and the spectacle with likeable characters with whom you’re more than happy to go the distance.

American Graffiti (1973)

American Graffiti (1973)

[9] A close-knit group of teenagers relish their last night of summer vacation before their paths diverge, changing their lives forever, in George Lucas's American Graffiti. Most of the cast succeed in creating wholly believable characters with compelling dilemmas, and Lucas lets…