[5] Harrison Ford returns as Jack Ryan in his second Tom Clancy adaptation, Clear and Present Danger. The story this time puts Ryan in the middle of a secret war between the U.S. government and a Colombian drug cartel. The plot is long and winding, with in-fighting on both sides of the battle line, culminating in a showdown of sorts between Ryan and the highest …
[5] C. Thomas Howell (The Hitcher) headlines this politically incorrect comedy about a teen who overdoses on tanning pills to appear black, so he can win a full scholarship to Harvard law school. While hiding his identity from a love interest (Rae Dawn Chong) and a professor (James Earl Jones) who comes to think highly of him, Howell’s character experiences racism first-hand and comes to …
[8] Alec Baldwin takes on the mantle of Tom Clancy’s Jack Ryan in the action-thriller The Hunt for Red October. One of the joys of this movie is seeing Baldwin, previously known mostly for co-starring in Beetlejuice, become a leading man before your very eyes. And a smart one, at that. Sharing the screen with him is Sean Connery as a Russian captain whose new …
[3] Linda Blair’s still got demons, and Richard Burton’s trying to figure out what happened to the nice priests who got pea soup all over them in the first movie. Exorcist II: The Heretic is convoluted and esoteric, the action is minimal, and the horror non-existent. John Boorman (Excalibur, Deliverance) delivers a highly odd, surreal, and ultimately terrible sequel to The Exorcist. The cheap sets, …
[7] A well-structured, lovingly-crafted sword and sorcery flick. Arnold Schwarzenegger, limited as he may be, was born for this role and Basil Poledouris’ score is among the best ever recorded for film. Writer/director John Milius seems rushed at times, but some scenes are extraordinarily polished. I love the first half-hour most of all. The death of Conan’s mother could not be done better. It’s all …
[9] This delicate fantasy about regret and second chances casts a powerful spell that brings many grown men to tears before the credits roll. To that effect, Field of Dreams is a beautiful indictment of the unspoken, unrequited nature of father-son relationships — the main ingredient in any male weepy. It helps that Kevin Costner is the lead. He has an ‘everyman’ quality that allows …
[10] Star Wars needs another review like a wookiee needs Rogaine, but let’s reflect anyway, lest we start to forget its cultural importance and overall awesomeness. After film reached (still) unparalleled popularity in the late ’30s and ’40s, television came along and the film industry instantly began to shrivel. The dry spell lasted until the mid-70s (perfect timing, mom and dad), when the ‘film school …
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