[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[7] A gaggle of Oscar-winners go topsy-turvy and fight to survive when a luxury liner capsizes at sea in the trend-setting disaster flick, The Poseidon Adventure. The film delivers on producer Irwin Allen’s desire to blow shit up (think of him as the proto-Michael Bay), but also manages to give its venerable cast plenty to chew on. The characters are engaging and no one is …
[5] On one hand, I like that Total Recall reminds me of an old-fashioned sci-fi yarn from the ’50s. On the other hand, it’s not quite cheesy enough for me to fully embrace that way. I don’t like Arnold Schwarzenegger in the lead role. He does the film no favors, and I can imagine dozens of other actors who might have helped the movie find …
[8] Christopher Nolan (Inception, Memento) co-writes and directs this emotional sci-fi adventure about a farmer (Matthew McConaughey) who leaves his family during the last generation of human life on Earth, hoping to find a new planet for the species to call home. With the help of a secret rag-tag team of NASA scientists, he makes a two-year voyage to Saturn where a wormhole makes the …
[6] Just as Robert Zemeckis had to make Forrest Gump and Tim Burton had to make Big Fish, so did David Fincher have to make The Curious Case of Benjamin Button. All three directors are known for their visual and/or technical prowess, and all three felt the need to wring a tear-jerker out of their filmographies, maybe just to prove they could? Benjamin Button is …
[7] The Irwin Allen disaster epic is alive and well in this 1996 summer blockbuster in which evil aliens threaten to destroy Earth, leaving it up to a rag-tag team of politicians, soldiers, and scientists (plus a drunken crop-duster and a pole dancer!), to save humanity. The writing and directing team of Roland Emmerich and Dean Devlin (Stargate, Godzilla) almost strike the perfect tone for …
[6] Gravity is so harrowing, I’m tempted to call it crisis porn. The movie stars Sandra Bullock and George Clooney as astronauts stranded in orbit over Earth after debris destroys their spacecraft. Director Alfonso Cuarón (Children of Men, A Little Princess) warns us from the get-go with some on-screen text that life in space is impossible, and then proceeds to throw everything you can imagine …
[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …
[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring. Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …
[9] A man slowly discovers that reality is not what it seems and that we are all actually slaves to more advanced technological organisms in this uber-cool, groundbreaking sci-fi flick with an incredible screenplay and visionary aesthetics. There is a place in cinema for Keanu Reeves, and it is The Matrix. (Who knew?) Carrie-Anne Moss and Laurence Fishburne steal the show, both playing walking talking …
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