Spider-Man (2002)
[7]
Sam Raimi (The Evil Dead) takes the reigns and casts Tobey Maguire as the famous web-slinging superhero. The script is ripe with pointed dialogue, but I’ll be darned if the cast don’t pull it off more often than not. Raimi’s approach is decidedly ‘comic booky’, full of color and frenetically paced, with all the grace notes and emotional high points bent toward operatic. As Peter Parker and Spider-Man, Maguire, with his big, soulful eyes, is easy to empathize with. His take on the character is more introverted than you might expect, but inviting. (If I wanted to watch a douche bag save the day, I’d re-watch Iron Man.)
About a Boy (2002)
[7]
An aimless playboy and a dorky middle-schooler become friends through serendipity in About a Boy, based on the book by Nick Hornby and directed by Chris and Paul Weitz of American Pie fame. Hugh Grant plays the playboy, coasting on royalties from a famous song his father wrote. Nicholas Hoult, who would later grow up to later star in X-Men: First Class and Warm Bodies, plays the kid. I have a soft spot for surrogate father/son relationships in movies (and I don’t think I’m alone), but Grant and Hoult do a commendable job playing the parts believably and steering clear of cheese. The film manages to incorporate some real drama into the mix, especially regarding Hoult’s suicidal mother (Toni Collette), without getting too weighed down.
The Perks of Being a Wallflower (2012)
[8]
Logan Lerman (from the Percy Jackson movies) stars as Charlie in this coming-of-age drama/romance about a socially awkward high school boy who finds solace among the ‘freaks’ while overcoming a past trauma that left him hospitalized. Emma Watson (Hermione from Harry Potter) and Ezra Miller co-star as Sam and Patrick, Charlie’s newfound friends. Together, the trio bond over music and star in a production of The Rocky Horror Picture Show — very much the counter-culture sort of kids. Things go swimmingly until Charlie starts to fall for Sam, and Patrick’s secret relationship with a member of the football team is exposed to the whole school. As these and other dramatic entanglements threaten to destroy his new friendships, Charlie also begins having painful flashbacks surrounding the death of an aunt.
Disturbing Behavior (1998)
[7]
After suffering the suicide of his older brother, Steve (James Marsden) and his family relocate to Cradle Bay, where some of the kids at school aren’t quite themselves these days. With the help of new-found friends Rachel (Katie Holmes) and Gavin (Nick Stahl), Steve discovers that a local doctor, Caldicott (Bruce Greenwood), is conspiring with parents to lobotomize their teens in order to create “good boys and girls”, all of whom become members of the school’s Blue Ribbon elitist clique. Caldicott’s experiments stymie the Blue Ribbons’ sexual impulses and mold them into academic achievers that spend a great deal of time trying to recruit others to “the program”. Unfortunately, the experiments don’t always work. As someone comments in the film, “Whenever one of these kids gets a hard-on, they want to beat someone over the head with it.” But this doesn’t stop Caldicott or the town’s parents from expanding Blue Ribbon membership. When Steve’s parents enter him in Caldicott’s program, he plans a desperate escape, not just from Cradle Bay, but from school, his parents, and the past — the archetypal plight of just about every teenager that ever lived.
The Blue Lagoon (1980)
Masters of the Universe (1987)
[6]
If you were making a movie based on a famous toy line and you had no choice but to cast Dolph Lundgren in the lead, you probably couldn’t do much better than Gary Goddard did with Masters of the Universe. The screenplay by David Odell (The Dark Crystal) transplants the action from He-Man’s homeworld to our own planet. I’m sure this was a cost-cutting measure more than anything else, but seeing these larger-than-life characters as fish out of water is probably one of the reasons this movie ends up cutting the mustard… barely.
Frozen (2013)
[8]
Disney’s Frozen borrows ideas from Hans Christian Andersen’s The Snow Queen and follows closely in the footsteps of Tangled before it, but it’s also a bit more. For one thing, there’s an interesting sister dynamic at play here. One royal daughter, Anna (voiced by Kristen Bell), is the care-free sort, while the older daughter Elsa (Wicked‘s Idina Menzel) is born with a curse – the power to turn things into ice. After a childhood display of her magical powers nearly kills Anna, Elsa hides herself away for fear of hurting anyone. That’s all prelude. The story proper takes off when Anna inadvertently upsets Elsa on her coronation day. When the citizens of Arendelle discover their queen is a sorceress, they freak, she freaks, and a hard snow comes to fall. Elsa flees the kingdom and builds an ice castle for herself on the side of a mountain, leaving it up to little sister to later beg her for a return to warmer times.
Veronica Guerin (2003)
[6]
Cate Blanchett stars as the real-life Irish journalist who paid the ultimate price for exposing the burgeoning drug problem in mid-90s Dublin. Outraged after discovering children playing in streets littered with used needles, Veronica Guerin decided to bring the epidemic into the national limelight, risking the life and safety of not only herself but her family as well. Blanchett, always reliable, does a great job portraying Guerin as a woman with a brave public face, even after a shot is fired into her home and a drug lord punches her repeatedly in the face for daring to step foot on his property (the film’s most brutal and disturbing scene).









